Family Guy Travesty Essay

Scholars express the concern that the shape of an Ameri posterior family is transitively evolving through fourth dimension. The conceptions of denigrating the styles and beliefs of racial-ethnic, immigrant, gay-lesbian, and single p bent families has been cont lasted in the early nineties to be that which is not further the veracity of portraying an American family but rather offers the otherwise. Hence, little has been k instantaneouslyn on the condition of the in high spirits depicting of an American family in television.Family ideology shapes the consciousness and expectations of those growing up the margin of the mainstream nevertheless, this leads to the manifestation that the image of the aforementi wholenessd member in the community transforms as the foodstuff of media synchronously evolves as well (Greenblatt, 1990). In essence, media is one of the most surprising sources of information in the society. The potential of television to negatively or positively affect att itudes, kind behaviors, and other sort of the like has been studied and thrilling results were ga in that locationd.Same is true for the limning of families, age, sex, and race-role socialization. As a matter of fact, studies show that the images seen on television by its viewers somehow sue as an educational tool, with this, the threat of getting the wrong perspectives is uncontrollable and so argon the views of those who have been fey by the influence of media (Fabes, Wilson, & Christopher, 1989). This then connotes the perception that the portrayals aired on television argon products of the evolving sense of simultaneous reaction over the media and the society.In simple logic, what the society wishes to see are given by the media, therefore, the portrayal of an American family in the television nowadays are depicting earth so to speak. Of course critics very oft back a fight with whatever is served on the table that is not a spick-and-span thing. How media portrays an Am erican family is an issue that comes along with societal agitates (Lasswell, 2002). More specific totallyy, the rise of reality TV shows could attest to that matter. 1950 The Black and dust coat Medium Media in the fifties were not as influential as it has been today.Perhaps the barrier on this is the connotation that there were only few who has television in their household because TV shows were then new to them. In the light of portraying American families, the issue on ethics and morality then surfaces the scenario. Americans were until now conservative in some point that showing the bedroom or love scenes would be considered as pornography. Basically, what most viewers would love watching are news most the war, or the commercials which are basically done on live stream.The scarcity of technology and celebrities keep the audience up waiting for their deary show to air. As critics and normal citizens would contend, they consider the shows in the fifties as strict and politic ally cover perhaps because television wanted to portray an idealistic form of family to attract audience whom as commended are experiencing several monetary and social problems during that time (Lasswell, 2002). Popular shows in the fiftiesSomething unique sprouted during the 1950s in the vortex of television shows the heroes were young men returning from war to a nation ravished and right(a) for one of the greatest booms in civilized history, and the love stories that utterly triggers romance among its viewers. Few of the shows who topped are The Adventures of Ozzie and Harriet, I Love Lucy, Leave it to Beaver and the Lone Ranger. These shows were among the pioneers of the quasi-comic, quasi-drama shows that contemporary media are now pursuing. For Nelson and Harriets reality show, it portrayed the reality of being in a middle class family in the eyes of the masses.They were in the limelight and the story mainly revolved to them. It was the politeness of David and Ricky which c aptured the hearts of young women, and what amazes the audience all the much than were the practicality of the show since they were all representing their real lives and their real names. Similarly, the Beavers in Leave it to Beaver belonged to the elites or the middle-class families. They were the simulacrum of nice individuals and they were living in Pleasantville. Airing for ten years, I Love Lucy was the re origination of a common American family.Unlike that of the Ozzies, there is a husband who frantically hates his wifes dream of worthy famous and being a movie star but never left her despite the oppose poles. Not only that, there was a bond between Lucys family and the Mertz, it showed that a typical American family is healthy inside and outside the corners of their house (Casconi, 2008). 1960 Batman, Gilligans Island and the Addams Family Conceivably, the sixties is considered as the rise of superficiality. This is because the shows which topped the charts were owned by fictional characters and imaginary families.There came Batman, Gilligans Island and the Addams Family. Among the rest, these are few of the shows which are carried on in the twenty-first speed of light. As a matter of fact, up to date, these shows have several renditionsmovies, cartoon shows and theatrical playsall of which connote one thing, that their influence is flexible. American families in much(prenominal) shows showed determination, passion for life and love for family. Still, explicitness was not very much present due to the fact that there have been regulations on the content of the shows aired.However, the skepticism contends further deliberation as there are media laws and other forms of rules but then again, these are not properly implemented since these are tolerated (Casconi, 2008). Empowerment The positive effect of media in the current system For every human religious services organization, the empowerment both of its members and of its target population i s perhaps at the nerve of its every endeavor. A compact and lively human service can only be soundly and truly achieve under the condition where the members and participants in the provision of human services are dynamic and empowered.There are many ways to achieve this end, and perhaps the most recent of these ways is the disregard of employ video files for informing the public and the members of the organization (Coontz, 1998). Since empowerment essentially means bringing muckle who are outside the decision-making process into it (Rowlands, 1995, p. 102). Thus, it can be said that the empowerment of people outside of the interior circle in the provision of human services can be achieved through the actual flair of absorbing these people right into the heart of the decision-making process.This can be achieved through the help of digital videos where a careful elaboration into the processes of the provision of human services is done through moving images instead of the sch ematic paper documents and slideshow presentations. For example, the group of people who does not fall among the ranks within the circle of decision-makers in the human service operations can be empowered by giving them a thorough and lively presentation of what they will be doing. By making them fully aware of their tasks, they can be empowered in terms of preparing for what they should expect from the actual operations or field work.Digital videos can help settle such(prenominal) a drive for empowering the other members of the human services organization through the creation of visually stimulating videos or documentaries which are rich in content but are not presented in a stale and conventional manner typical to that of formal business corporate meetings. By using videos to stimulate the active participation of the organization members who are not essentially part of the decision-making body can lead to a more vibrant campaign for providing services to people.For instance, in o rganizational operations such as information dispersal, the human services organization can arrive at real decisions such as what specific information should be given to the audience and what specific information should given more emphasis and how it can be achieved by taking into consideration the perceptions of the other members (Lasswell, 2002). One way to spur these members to contribute to the decision-making process is by showing them what the organization and the people expect from them through videos.By the time the other members are informed and have become acquainted with the expectations, they can further replenish the tasks and operations of the organization by sharing what they know to the decision-making body which the latter whitethorn not be acquainted(predicate) with (Okwumabua, 1999, p. 154). For example, after playing a certain digital video documentary, other members who are very much familiar with the topic viewed can be stimulated by the desire to share what one knows for the knowingness and betterment of the organization.The Underprivileged Their Dose of an Ideal Family in the Fifties The scenario in the fifties showed the following aggressively and inveterateally ill children were cared for in hospitals and other institutions with severely restricted parental visiting privileges moreover, children with chronic illnesses rarely survived. But the otherwise are shown today, advances in health care have prolonged and improved the lives of children with chronic illness, and the majority of children are cared for by their families in their homes and communities.The first merger movement at the turn of the century led to significant dousing in some manufacturing industries, and less conspicuous inter-corporate links through family connections, financial houses, and interlocking directorates probably reinforced the trend towards concentration. However, there seems to have been little trend toward increased concentration since then, althou gh average concentration ratios, however measured, show modest increases since 1945.Whatever the measures used, it is clear that oligopoly is prevalent in about one-half of American manufacturing industry, and that there remain sharp distinctions in concentration levels among industries. This does not mean that there have been no recent changes 1950 problems of housing, medical services, education and employment. And so majority of the families were in dire need of a dose of fantasy in their lives (Lasswell, 2002). If they were living in the underprivileged level of the pyramid, then at least they witness how Lucy and Harriet lived a life of fame and fortune.Sixties and Crossing the Lines of Mainstream TV Meanwhile, the expansion of schooling combine with growing affluence contributed to the emergence of a youth culture separate and apart from the family. Late-Twentieth-Century Families In 1960, 70 percent of American households consisted of a go-to-workdad, a stay-at-home mom, and two or more kids. By the end of the twentieth century less than 10 percent of American households fit that profile. But what makes the sixties enrapturing in the world of media and broadcasting were the rise of adventure flicks and creative stories.Apart from the usual types of storieswhich in one point are considerably idealisticthey crossed the line and took the risk of introducing superficial characters, and superficial kinds of families. 21st Century Warning Explicit Content The presence of media as a tool of information dissemination has increased largely because of the technological innovations consistently being introduced not only in advancing the productiveness rate of media organizations but also in expanding the capacity of the various media outlets to include a wider range of topics (Hudson, 1986).With this expansion, the subjects integrated into the mass media has also been augmented (Graber, 1980) such that former topics that were once rarely untouched have now been constantly infused with unceasing publicity such as those that tackle Information and Communications Technology (ICT). The changes make by mass media are evidently found on a series of notions due to consciousness, certain perceptions on reality and the palpable alterations of the masses individual lives concurrent on what had reconstituted by the mentioned technological change (Palmer & Young, 2003).Technological or digital innovation dwelled on to by human beings had been observed to have been conducting a protective bubble of fixed racial, cultural and ethnic identity resulting to a sense of detachment which lies on the physical state of the screen persona as well as with the transcends in the reality of social culture (Barker & Petley, 2001). To thoroughly understand the representation of media of an American family, one must be enlightened of the spot of real-life events. With this, an assessment on the trend of the shows shall commence.Perceivably, the five major parts regar ding on the family status includes married, separated, widowed, divorced and never married. Their study showed that there is an increasing number of adults who are not presently married due because of insularism of the partners. As expected, there was a variation of the proportion of the numbers of separated people in unlike cities of the country. Florida exhibits the highest rate of divorce while in Boston and California got the lowest proportion. This can be explained because of the geographic differences (DAntonio, 2004).Gradually, television shows nowadays such as those which have been mentioned are almost synonymous in context and manner. Furthermore, American families differ from those of more educated families who typically were studied with regard to family interactions and adolescent autonomy issues. Inner-city African American families may experience age-condensed generations such that the generational boundaries are not as clear. Because the boundaries between the roles of mothers and daughters may be blurred, the need for a struggle over autonomy issues may be less big because the authority differences were never as strong (Lawler, 1997).Additionally, autonomy issues may not be as insistency in a context characterized by preoccupations with the representation of media in such forms of distinction. How they portray and American family is no longer boxed in a certain classAmericans, for that instancebut their target market includes global viewers. Nonetheless, the diversity of characterization of the shows is proof that freedom in the vortex of media and entertainment has lesser rules and the incumbrance virtue lies in the truth of fame (Fabes et al. , 1989).